SHOWTEXGet In TouchSHOWTEXGet In TouchYou are the reason shows look incredible. Showtex gives you a new way to work — one where your designs are executed with frame-perfect precision, where you can serve more artists than ever, and where your creative talent finally scales.
Live show production is evolving. The tools are getting more powerful. The expectations are getting higher. And the old model — one operator, reacting in real time, hoping to nail every cue — is reaching its limits.
You already know this. You've felt it during a show when you nailed the drop perfectly, and you've felt it when you were a half-beat late because you were watching the DJ instead of your console. You've felt it when you designed something beautiful in rehearsal but couldn't reproduce it consistently across 30 tour dates.
The most talented people in live production shouldn't be constrained by the limitations of real-time manual execution. Your creative vision deserves better than the pressure of split-second reaction. It deserves to be designed with intention and executed with certainty.
That's what Showtex is for.
In the Showtex editor, you build time-coded trigger sequences mapped directly to the music. Every cue is placed exactly where you want it — not where your reflexes allowed it in the moment. You hear the track, see the waveform, and design the visual journey with the same deliberation a composer brings to a score.
A DJ in Tokyo sends you their track list. You open Showtex, design their show, and send the file. They load it before their next gig. Next week, you do the same for three more artists. Your creative reach is no longer limited by your physical presence.
Every trigger fires at the exact moment you placed it. Every transition lands. Every build crescendos precisely where you intended. The gap between what you imagined and what the audience experiences shrinks to zero.
Showtex doesn't run itself. Someone needs to design the show — that's your creative expertise. And at the event, the best results come from a skilled operator monitoring the system, ready to adapt and intervene. The role evolves from reactive execution to creative oversight.
The same talent. A fundamentally different ceiling.
You're hired for a show. You travel to the venue. You run the show live. You get paid for that one night.
Maybe $500, maybe $2,000, maybe $5,000. Then you travel to the next one.
Your income is directly tied to your physical presence. You can do maybe 3–4 shows per week, maximum, factoring in travel and recovery.
You design a show in the Showtex editor. It takes you a few hours — you know the tools, you're fast.
You deliver the show file. The artist uses it at every gig for the next six months. You get paid for the design work.
Meanwhile, you're already designing shows for other artists. From your studio.
Showtex just removes the constraint that your talent can only be in one room at a time.
Connect with our team. Shape the platform. Establish your position. Scale your creative career.
Get In Touch →Tell us what you design, who you design for, and what you'd like to do next. We'll come back with a conversation.